Glenn DanzigWho Killed Marilyn?

Lo-fi horror-punk with Danzig's baritone croon riding primitive, buzzing instrumentation he played entirely himself. The title track snarls with cheap-thrill menace, all fuzz and shadow. The flip, "Spook City U.S.A.," oozes graveyard atmosphere and later got a Misfits recut. Two songs first sketched in his Misfits days, here recast raw and alone. One of the most sought-after items in the Danzig catalog. Murky, mean, and exactly as cult as it sounds.