Lee PerryKing Scratch

Bass you feel in your sternum, drums echoing like they were cut inside a cave, a producer bending the mixing desk into an instrument of its own. Lee Perry built these Upsetter sessions from smoke and mischief. 'Chase the Devil' rides Max Romeo's warning over a groove that stalks; 'Police and Thief' aches so hard The Clash borrowed it whole; 'People Funny Boy' catches reggae mid-invention. Put it on and let the room warp.