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Peter Steele's bottomless baritone looms over every track here, dripping sarcasm and seduction in equal measure. 'Black No. 1' stomps through goth-club camp, 'Christian Woman' builds from whispered organ to a thunderous chorus, and their crushing, slowed-down 'Cinnamon Girl' turns Neil Young into a funeral march. A perfect doorway into Brooklyn's purple-velvet doom merchants.